Symposium Schedule
9:00 am
Session I: Analyzing the Avant-garde, Part I
Lauren Halsey (University of Washington): “Kaleidoscopic Combinations”: Evolving Rhythmic Shapes in Ligeti’s Piano Concerto, Movement III
Karen E. H. Messina (Duke University): Merging, Sharing, and Linking: Depictions of Nature in Webern’s Drei Lieder, Op. 25
Nicole Strum (Vancouver, BC): Luciano Berio's Sequenzas I and VII: Multidimensionality in the Context of the “Open Work”
10:30 am
Break
10:45 am
Session II: Analyzing the Avant-garde, Part II
Michael Buchler (Florida State University): Analysis of a Requiem as a Requiem to a Friend
Horace J. Maxile, Jr. (Baylor University): Olly Wilson’s “I’ve Been ‘Buked”: Contemporary Reflections on an African-American Spiritual
Bruce Quaglia (University of Utah): Inchoate Serial Practices in Luigi Nono’s Early Works
12:15pm – 1:15 pm
Lunch
1:15 pm
Session III: Modern in America
J. Daniel Jenkins (University of South Carolina): Schoenberg’s Advice for Beginners in Composition with Twelve Tones
Sarah Dorsey (University of North Carolina, Greensboro): Two Ways of Looking at Thirteen Ways of Looking at a Blackbird: Louise Talma as 12-Tone Composer and Deep Listener
Richard Hermann (University of New Mexico): Music Theory and American Popular Musics: A New Pedagogical Approach
2:45 – 3:00 pm
Break
3:00 pm
Session IV: Contemplating Bossa Nova
Welson Tremura (University of Florida): Reflections on Bossa Nova, An Ageless Musical Style
Silvio J. dos Santos (University of Florida): Conceptualizing The Girl from Ipanema
4:00 – 4:15 pm
Break
4:15 pm
Keynote
"Irna Priore, Berio Scholar"
Christoph Neidhöfer, McGill University
Reading: Irna Priore’s Berio’s unpublished "'Constellations' and Diverse Serial Practices of the Post-War Era"
5:00 – 5:30 pm
Break
5:30 pm
Concert
9:00 am
Session I: Analyzing the Avant-garde, Part I
Lauren Halsey (University of Washington): “Kaleidoscopic Combinations”: Evolving Rhythmic Shapes in Ligeti’s Piano Concerto, Movement III
Karen E. H. Messina (Duke University): Merging, Sharing, and Linking: Depictions of Nature in Webern’s Drei Lieder, Op. 25
Nicole Strum (Vancouver, BC): Luciano Berio's Sequenzas I and VII: Multidimensionality in the Context of the “Open Work”
10:30 am
Break
10:45 am
Session II: Analyzing the Avant-garde, Part II
Michael Buchler (Florida State University): Analysis of a Requiem as a Requiem to a Friend
Horace J. Maxile, Jr. (Baylor University): Olly Wilson’s “I’ve Been ‘Buked”: Contemporary Reflections on an African-American Spiritual
Bruce Quaglia (University of Utah): Inchoate Serial Practices in Luigi Nono’s Early Works
12:15pm – 1:15 pm
Lunch
1:15 pm
Session III: Modern in America
J. Daniel Jenkins (University of South Carolina): Schoenberg’s Advice for Beginners in Composition with Twelve Tones
Sarah Dorsey (University of North Carolina, Greensboro): Two Ways of Looking at Thirteen Ways of Looking at a Blackbird: Louise Talma as 12-Tone Composer and Deep Listener
Richard Hermann (University of New Mexico): Music Theory and American Popular Musics: A New Pedagogical Approach
2:45 – 3:00 pm
Break
3:00 pm
Session IV: Contemplating Bossa Nova
Welson Tremura (University of Florida): Reflections on Bossa Nova, An Ageless Musical Style
Silvio J. dos Santos (University of Florida): Conceptualizing The Girl from Ipanema
4:00 – 4:15 pm
Break
4:15 pm
Keynote
"Irna Priore, Berio Scholar"
Christoph Neidhöfer, McGill University
Reading: Irna Priore’s Berio’s unpublished "'Constellations' and Diverse Serial Practices of the Post-War Era"
5:00 – 5:30 pm
Break
5:30 pm
Concert